Posts published by “Christine Hall”
Christine Hall has been working as a journalist since the 1970s. She currently hosts a weekly radio show of sixties music, The Sixties in 60 that can be heard every Sunday at 6 pm Eastern Time on The Barrel of Rock.
On this Sunday’s The Sixties in 60 radio show on The Barrel of Rock, I played a “lost” recording of Grace Slick with The Great Society. The recording wasn’t really lost, of course, since nothing is really lost in the age of the internet where you can find anything you want with a thorough search, but in the old days it would have been considered, at the very least, rare.
As state governments work to make sure that legalizing recreational marijuana doesn’t open a door for illegal drug cartels and/or the mob, legitimate cannabis vendors have been struggling to obtain services that are essential to running a business.
At this early stage of the game, it’s not easy being a legal pot dealer in the U.S. No matter how legal you may be in the state where you operate, to federal law enforcement you are a multiple felon — if they want to go after you.
Although the feds haven’t been going after these newly minted legal dealers (and have indicated they have no plans to do so), their legal status on the federal level has been somewhat problematic, both to them and to other companies that want to do business with them.
Heritage Auctions is auctioning a collection of mint condition rock ‘n’ roll posters from San Francisico’s acid, weed, music, and Summer-of-Love fueled golden age in the mid to late 1960s. We have nine of them here that we’re sure you’ll want to look at.
Wowie-zowie! You never know what’s going to show up in your inbox when you publish a website like AlternativeApproaches.
Like, for instance, a few days ago the Dallas-based online auction house, Heritage Auctions, sent us these high resolution images of nine pristine-condition rock posters from the psychedelic days when San Francisco was cool and groovy and everything was far out. It’s enough to blow your mind, you dig?
At about five-thirty on Sunday afternoon, Philip Kearns and the band got tuned-up to play and pay “A Tribute to Phoebe Snow.” This would be the fourth time that Kearns had performed this tribute to his ex-wife, who died a little over four years ago at age 60. He’d originally done the show as a one-off performance in Greenwich Village about a year ago, but the success of that show led to a performance in downtown Winston-Salem, which led to another performance at Greensboro’s Carolina Theatre.
This time he was playing at the Luna Lounge & Tiki Bar, a nice enough small bar at the northern boundary of Winston-Salem’s gallery district, a far cry from the Duplex Cabaret, where he first performed the show, or the venerable Carolina. But the show was for charity, to raise funds for the North Star LGBT Center, a cause dear to his heart. So, as they say, “The show must go on.”