by Sally Wiener Grotta
I recently spent an evening of wonder and reflection in the company of several Judaic incunabula (printed books in Hebrew from the 15th century) at Philadelphia’s Rosenbach Museum & Library. Each was a personality and story, bound by hand and laden with transmitted memory. My guide through their histories, typography and quirks was Judy Guston, the Rosenbach’s curator and senior director of collections, who also happens to be a fascinating storyteller. I was entranced, and the time went by far too quickly.
Fulcanelli and the Mystery of the Cross at Hendaye
In 1926, a mysterious volume issued in a luxury edition of three hundred copies by a small Paris publishing firm known mostly for artistic reprints rocked the Parisian occult underworld. Its title was Le Mystère des Cathédrales (The Mystery of the Cathedrals). The author, “Fulcanelli,” claimed that the great secret of alchemy, the queen of Western occult sciences, was plainly displayed on the walls of Paris’s own cathedral, Notre-Dame-de-Paris.